A collection on the promenades

“[Collecting produces] a relationship to things that, rather than highlighting their functional benefit (the benefits they bring, the purposes they serve), studies and loves them as the scene and showplace of their destiny.  The most powerful spell cast by the collector is to enclose the individual item within a magic circle where, even as the final shudder (the shudder of having suffered acquisition) runs through it, it turns to stone.  Everything remembered, everything thought, all awareness becomes base, frame, pedestal, local and key of his ownership.  Period, region, craft, previous owners – all, for the true collector, merge in each one of his possessions into a magical encyclopedia whose quintessence is the fate of his object” (Benjamin, Unpacking my Library)

On this page we are going to post and reflect on the material (initially and principally photographs) we have ‘found’ in our trawls and investigations.

Found Image 1: Brighton Promenade by mókusom

Tourist Action on Brighton Promenade

This photograph by mókusom (via flickr) is a perfect example of the benefits and difficulties of such ‘found’ material.  This image perfectly illustrates several of the issues that we have been dealing with on this blog and in our forthcoming paper for the Liminal Landscapes conference.  The space of the promenade as instrument of the leisure industry, the role and function of the ‘tourist gaze’ (and issues of opticism more generally), the nature of the photograph as ‘sociogram’, and, most significantly, the regulation (by ‘the gaze’, norms and laws) of the spaces of ‘free time’ are all brought out here.  This illustration is a great benefit but locating this image, the actual process of ‘finding’, is the source of difficulty.

Flickr is an astonishing resource for the kinds of investigation we are engaged with but because it is an ‘open’ and user-catalogued archive there are no fixed means of interrogating the material of the archive.  This particular images is titled ‘Brighton Promenade’ but is ‘tagged’ (i.e. keyword catalouged) with the terms ‘Brighton, beach, tourists, Suits’.  The ad hoc character of this cataloguing process renders flickr a difficult source to extract useful (i.e. fit for our purposes) ethnographic material from.

Found Image 2: BFI Archive Video Brighton Beach 1896

Found Image 3: A flickr group dedicated to seaside towns

Found Image 4: Panoramic View of the Morecambe Sea Front (1901)

Found Images 5 Two Collections of photos from the Soviet Black Sea during the 1950s

Found 6 The Lost Promenade Group

Found 7 Wish You Were Here Collection




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