“What is decisive in collecting is that the object is detached from all its original functions in order to enter into the closest conceivable relation to things of the same kind. This relation is the dramatic opposite of any utility, and falls into the peculiar category of completeness. What is this “completeness”? It is a grand attempt to overcome the wholly irrational character of the object’s mere presence at hand through its integration into a new, expressly devised historical system: the collection. And for the true collector, every single thing in this system becomes an encyclopaedia of all knowledge of the epoch, the landscape, the industry, and the owner from which it comes. It is the deepest enchantment of the collector to enclose the particular item within a magic circle, where, as a last shudder runs through it (the shudder of being acquired), it turns to stone. Everything remembered, everything thought, everything conscious becomes socle, frame, pedestal, seal of his possessions. It must not be assumed that the collector, in particular, would find anything strange in the topos hyperouranios – that place beyond the heavens which, for Plato, shelters the unchallenged archetypes of things. He loses himself, assuredly. But he has the strength to pull himself up again by nothing more than a straw; and from out of the sea of fog that envelops his senses rises the newly acquired piece, like an island. – Collecting is a form of practical memory, and of all the profane manifestations of “nearness” it is the most binding. Thus, in a certain sense, the smallest act of political reflection makes for an epoch in the antiques business. We construct here an alarm clock that rouses the kitsch of the previous century to “assembly”.”
Benjamin The Arcades Project Convolute H [H1a,2]
http://www.roughtheory.org/content/use-value-exchange-value-and-collection/
“The true method of making things present is to represent them in our space (not to represent ourselves in their space). (The collector does just this, and so does the anecdote.) Thus represented, the thing allows no mediating construction from out of “large contexts”. The same method applies, in essence to the consideration of the great things from the past – the cathedral of Chartres, the temple of Paestum – when, that is, a favourable prospect presents itself: the method of receiving the things into our space. We don’t displace our being into theirs; they step into our life.”
Benjamin The Arcades Project Convolute H [H2,3]
“The language-game of reporting can be given such a turn that the report gives the person asking for it a piece of information about the one making the report, and not about its subject-matter. (Measuring in order to test the ruler.)” [cf LW I, 416; PI II, x, p. 190d-191a]
Wittgenstein Last writings on the philosophy of psychology Vol.2: The inner and the outer, MS169 p8e
http://www.452f.com/pdf/numero02/02_452f_misc_perez_indiv.pdf
“Works of art teach that person how their function outlives their creator and how his intentions are left behind. They demonstrate how the reception of the work by its contemporaries becomes a component of the effect which a work of art has upon us today. They further show that this effect does not rest in an encounter with the work of art alone but in an encounter with the history which has allowed the work to come down to our own age. “
Benjamin ‘Eduard Fuchs: Collector and Historian’, trans Knut Tarnowski, New German Critique, No. 5 (Spring, 1975)
http://www.js-modcult.bham.ac.uk/articles/issue6_johnson.pdf
“Accually, inheritance is the soundest way of acquiring a collection. For a collector’s attitude toward his possessions stems from an owner’s feeling of responsibility toward his property. Thus it is, in the highest sense, the attitude of an heir, and the most distinguished trait of a collection will always be its transmissibility.”
Benjamin, ‘Unpacking My Library’, Illuminations, trans’ Harry Zohn & ed’ Hannah Arendt, Shocken Books NY 2008 p66
Reading the Arcades / Reading the Promenades 